Llandudno (West Shore) Beach

Explore Llandudno (West Shore) Beach through 35mm film—an otherworldly Welsh coastline full of colour, texture, and subtle beauty.

I took these photographs to slow down and observe a quieter side of coastal life. Away from the arcades and hotels of the North Shore, Llandudno (West Shore) beach feels open, sparse, and constantly changing. In this post, I explore how light, weather, and small traces of human activity shape the landscape over the course of a single day—and how 35mm film captures those subtle changes with softness and restraint.

The photos show the beach as it shifts through time. For example, vivid skies giving way to muted tones, wind tracing patterns across the sand, and signs of human presence that disappear almost as quickly as they appear.

Capturing Llandudno (West Shore) Beach on 35mm Film

On that day, the sky kept changing. At one moment, it turned a deep, almost unreal blue, stretching over the beach like a vast ceiling. A lone jogger ran across the sand, small against the scale of the sky, and then vanished. Most of the time, the beach felt empty—a wide, calm space where scale and solitude really hit you.

Looking toward the Great Orme, the pebbly beach and the distant quarry created a composition of muted greys and cool blues. Simple, but deeply satisfying. Later, at sunset, long shadows stretched across the rippled sand along the coastal path, highlighting textures that 35mm film renders beautifully: soft tones, subtle light shifts, and fine grain that digital photography often misses.

A lone jogger runs along Llandudno's West Shore Beach beneath an intense, cobalt sky
The pebbly West Shore beach stretches toward the Great Orme

Shifting Light and Dramatic Skies on West Shore Beach

Further along, where the beach widens, the wind whips sand into fine streams that dance across the surface like rays of light. Standing there, I could feel the quiet rhythm of the place—tide, wind, and land continuously reshaping themselves.

Not everything was beautiful in the traditional sense. For example, near Deganwy, a wheelie bin had ended up in the sea, half-buried in the seabed. Strange, immovable, and oddly poetic—a quiet reminder of human presence in the landscape. These are the moments I love to capture on 35mm film: the overlooked, the ordinary, and the subtly unusual, much like the work of William Eggleston.

Shifting light, wind, and sand along Llandudno (West Shore) Beach, captured on 35mm film
A wheelie bin lay partially submerged in the seabed, having somehow ended up in the water

Textures, Shadows, and the Pebbly Coastline

Looking towards Conwy, boats sit neatly in the marina, lined up and still. While closer to the beach, others lie abandoned, sun-bleached and peeling—evidence of time passing, tides changing, and stories left untold.

Further along the curve of West Shore, when the tide retreats, you can walk along the sand toward Conwy Castle, its medieval towers rising above the estuary. Standing there, you see how history and landscape intertwine along the North Wales coast, and how even familiar places reveal depth when you pay attention.

Views along the coast: Conwy Marina to West Shore, Llandudno
At low tide, you can follow the sandy shore toward the imposing Conwy Castle
Views of Llandudno (West Shore) Beach
Walkers on Llandudno (West Shore) Beach

Why Photos of Llandudno (West Shore) Beach Matter

Photographed on 35mm film, Llandudno (West Shore) Beach becomes more than a seaside town. It’s a study in transience: of light, weather, and time. Each photo invites you to slow down, notice the ordinary, and look at small details you might otherwise overlook.

West Shore shows how patience and careful observation can transform everyday landscapes into something timeless.

PHOTO DETAILS

Location: Llandudno (West Shore) Beach, North Wales

Date: Summer 2019

Camera: Contax G2 (35mm Rangefinder)

Film: Kodak Portra 160

Scan: Minolta DiMAGE Scan Elite 5400 (VueScan)

Thank you for looking.

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ABOUT THE AUTHOR

Dr Paul Pope is an international award-winning photographer and Associate Professor of Psychology at the University of Birmingham. He combines over twenty years of experience in photography, research, and teaching. His creative practice explores identity, public space, and traces of human presence in contemporary Britain. He writes about photography, culture, and human behaviour, making complex ideas engaging and visually compelling.

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